Saul Levine Movies

Concerned with the relation of a word to what we hear or see in our mind when we see it. How this relates to film and color.

Stations throughout Connecticut and even New York City. Riding around with my father and back to the gas station.

Free for benefits and free showings. "we turning in side take it without them it closes Castles color You must pass through it before it closes open...

ALL THAT'S SOLID (and) MELTS INTO AIR are each separate films shot at an exhibition of the urban landscape artist Tyree Suyton in Cambridge at...

ALL THAT'S SOLID (and) MELTS INTO AIR are each separate films shot at an exhibition of the urban landscape artist Tyree Suyton in Cambridge at...

A portrait of Nancy Golden, a summer evening and Nancy photographing rocks at Singing Beach. 16mm,18fps / Super 8mm, 18fps

Harvard square stroll, talking to myself. Super 8mm / color / silent / 18fps

Super 8mm / color / silent / 18fps

A conversation with Pelle Lowe

2000 film by Saul Levine

Workers and customers at a coffee bar in a winter twilight. S8mm, b&w/si

A midsummer daydream. S8mm, color/si, (18fps)

The first black and white LIGHT LICK. S8mm, b&w/si, (18fps)

S8mm, b&w/si, (18 fps)

LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the...

Film Notebook Part 1 from 1975 is a beautiful collection of daily fragments which Keller shot from her life the way one would write in a journal. She...

A fim by Saul Levine

Impersonations for the camera by Alison Tsoi, Nina Fonoroff, and Saul Levine. Additional camera by Silvia Gruner. (For Pelle Lowe and Luther Price)