Teo Hernández Movies

Lacrima Christi is the longest of the over 150 films made by the Mexican filmmaker resident in Paris, Teo Hernández. Part three of a tetralogy...

The film Graal goes (as well as all the films which precede it) toward an open and avowed paganism, in which pagan force and magic imbue all the...

Exploration of bodies. Point, counterpoint. A black glove goes in search of a red glove.

The purpose of the film is to go beyond the notion of the body as a system of functions, symptoms and reflexes that try to delimit the whole body....

Discarded images from the movie “Midi” (1985) mounted to give rise to a new film.

In the early '80s, this collective of artists invented a style of cinema made in 4 hands, where each of the protagonists is also a filmmaker.

The desert, the sea, someone. I meet Michel Nedjar; together we went to the south of Morocco. There, a movie begins to take shape and develops as our...

Teo Hernandez films the water of the Seine and its reflections for a film at once material and luminous.

Outtakes from the movie

Sara's bucolic pseudo-portrait, mother of the filmmaker, black and white photography and conceived for her projection in the interpretation of a huge...

Images of the filming process of Bernardo Montet on a beach.

With Esmeralda, Hernandez shifts to the romantic mythology, but this descriptive aspect is secondary in the filmmaker's work, whose purpose is the...

Outtakes from the movie

Winter 1978-1979: In his signature style, Hernández films hearty meals, long afternoons and candlelit dalliances inside his residence on rue...

Strolling through France (Roanne, Nice and Carcassonne) with some excursions abroad (Munich, Montreal, New York).

Outtakes from the movie